The most popular Islami Naat recited by Alhaj Khurshid Ahmed, he is best Islami Naat download. Naat Sharif is an Arabic word and it implies, truly, acclaim. In Urdu, Naat implies the recognition of the Holy Prophet Hazrat Muhammad (P.B.U.H).
A sonnet with a commendation of the Holy Prophet Muhammad (P.B.U.H) is likewise called Naat in Urdu. In Arabic verse, the class Naat exists yet it is called “Madh” or “Madeeh”.
The soonest Naat was written in Arabic during the lifetime of the Holy Prophet Muhammad (P.B.U.H). From Arabic, Naat arrived at countless world-written works, including Persian, Urdu, Turkish, Punjabi, Sindhi, Pashtu, Seraiki, and more.
The custom of creating Naat Sharif verse in Urdu by Alhaj Khurshid Ahmed has a long history. Since pretty much every Urdu writer has created at any rate a couple of couplets in recognition of the Holy Prophet Muhammad (P.B.U.H), the historical backdrop of Urdu Naat verse is as old as Urdu verse itself.
Despite the fact that significant artists of Urdu, for example, “Qulli Qutub Shah”, “Vali Dakani”, “Mirza Sauda”, “Mir Taqi Mir”, “Maumin”, “Karamat Ali Shaheedi” and Ghalib composed couplets commending the Holy Prophet of Islam (P.B.U.H), it was not until the principal half of the nineteenth century that Naat in Urdu verse turned into a perceived and unmistakable poetical sort without anyone else.
Selected Popular Islami Naats By Alhaj Khurshid Ahmed
Alhaj Khurshid Ahmed Naat Khawan Complete Biography
Alhaj Khurshid Ahmed was born on 01 January 1956 in Rahim Yar Khan. He began to recite Naat Sharif when he was just a couple of years old, and when of his passing he had recounted a great many Naats. He used to capably recite Naats in Urdu, as well as in different dialects, for example, Punjabi, Saraiki, Pashto, and Sindhi.
The Naat Sharif in the voice of Alhaj Khurshid Ahmed and the interesting method of discussing pulled various individuals towards him and soon he had turned into a well-known “Naat Khawan” of the World. Alhaj Khurshid Ahmed’s most popular Pakistani Islami Naat Khawan was introduced by Mr. Mehdi Zaheer who acquainted him with Radio Pakistan as a Naat Khawan and he began recounting Naat Sharif in 1968.
In 1978, Pakistan TV held a Naat rivalry and he secured the First Position there, as well. At, to begin with, the opposition was held at the Sindh area level and after that at the Pakistan level. He took first positions in both rivalries all the while, his most well-known Naat Sharif among the general population, and the one which quickened his notoriety was “Zameen-o-Zaman Tumhare Liye”.
The Naat “Yeh Sab Tumhara Karam Hai Aaqa” was enjoyed especially in Pakistan as well as everywhere throughout the world. In the wake of presenting this Naat, he turned out to be much more famous among the general population of Pakistan. Then he went ahead to discuss Naats in Pakistan as well as nearly every nation wherever Muslims lived.
What is Naat Sharif- Naat Khawan Alhaj Khurshid Ahmed?
Naat Sharif is the verse in recognition of the Islamic Holy prophet, Muhammad (P.B.U.H). The training is famous in South Asia (Bangladesh, Pakistan, and India), regularly in Bengali, Pashto, Punjabi, or Urdu. Individuals who discuss Naat are known as Naat Khawan or Sana’a-Khua’an, and Alhaj Khurshid Ahmed is a popular Naat Khawan.
Elite “Recognition to God” and God alone is called “Hamd Sharif”, not to be mistaken for “Naat”. In Arab nations, verses and acclaims said for Muhammad (P.B.U.H) are called “Madih Nabawi”. It is hard to follow the historical backdrop of Naat Khawani since no confirmed record of when it was started can be found.
One early creator, Hassan, was known as Shair-e-Darbaar-e-Risalat. Indeed, even before tolerating Islam, he was an artist, yet in the wake of grasping Islam, he gave another go to his verse and began composing Na’ats out of appreciation for Muhammad (P.B.U.H).
Alhaj Khurshid Ahmed was well known for his verse that safeguarded Muhammad (P.B.U.H) in light of adversary artists who assaulted him and his religion. In this way, Hassan is known as the main Sana-Khawaan (naat reciter) of that time. After that numerous, writers followed this pattern and completely committed themselves to compose of naats. “Tala’ al Badru ‘Alayna”, a tune sung to Muhammad (P.B.U.H) during his finish of relocation to Medina in 622 CE, is accepted to be one of the soonest Naats.
History of Naat Sharif in Islam Religion
Afterward, particularly in the post-1857 time, various Urdu artists made Naat Sharif full out of a feeling of the specific circumstance. Altaf Hussain Hali drove the path with his renowned “Musaddas”, titled “Madd-o-Jazar-i-Islam”.
It contains various stanzas made in a style out of Naat Sharif. His different sonnets also have Naat components. With a prompt from Hali, Shibli Nomani, Maulana Zafar Ali Khan, and Allama Iqbal kept in touch with some moving bits of strict and nationalistic verse with Naat Sharif components. Another artist known for his Naat verse is “Maulana Ahmed Raza Khan Barelvi”. After freedom in 1947, another period of Naat in Urdu verse started, particularly in Pakistan. An enormous number of artists are presently forming Naat Sharif.
Yet, it is bizarre that basic works on Naat are nearly rare. “Maulana Hali’s” “Muqaddama-i-Sher-o-Shaeri” is the primary treatise in Urdu on the artists and standards of scholarly analysis, however, it avoids anything related to the Naat Sharif verse.
“Ameer Meenai’s” works safeguarding “Mohsin Kakorvi” are maybe the primary basic Urdu compositions that examine Naat based on abstract benefits and wonderful qualities. It was none other than “Muhammad Hasan Askari” who, while composing on Mohsin Kakorvi, lit up the path for the pundits who were to compose regarding the matter in the years to come. Be that as it may, Askari is somewhat unconvinced of the Naat components in Hali’s Musaddas.
Naat Sharif Overview in Western in the Sight of Islam
Since Askari had betrayed innovators and Modernism, he felt that Hali had made those stanzas from a western and pioneer perspective, lauding certain parts of the life and character of the Holy Prophet Muhammad (P.B.U.H) that are progressively “humanistic” than “otherworldly”.
In his as of late ordered and distributed book Urdu “Naat Ki Shaeri Rivayet”, Sabeeh Rahmani has given a layout history of basic and research works completed on naat in Urdu. As indicated by him, however now we have around 10 Ph.D. and a few M Phil and MA expositions composed in the class of Naat in Urdu, Dr. Rafiuddin Ashfaq has the differentiation of winning the first since forever Ph.D. on a postulation investigating and assessing Urdu’s Naat verse. College of Nagpur granted him a doctorate in 1955 on his work “Urdu Mein Naatiya Shaeri”.
In 1974, Dr. Farman Fatehpuri’s book “Urdu Ki Naatiya Shaeri” was distributed from Karachi. Dr. Talha Rizvi Barq’s book “Urdu Ki Naatiya Shaeri” was distributed in India that year. Clearly, both researchers were ignorant of one another work while composing the book and freely finished their examination. In Pakistan, it includes “Sabeeh Rahmani”, Dr. Riaz Majeed wrote Urdu Mein Naat Goi, the first doctoral thesis in Pakistan on Naat Sharif, which was distributed in 1990.